Cactuses can fly too, you know.

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
how-amber-aurelia-felh
tavo-bell

“Aw man! This pie doesn’t taste at all like what grandma use to make! I’m must be a terrible baker:(“

Maybe! Or maybe one of many things might be different from the recipe you’ve been trying to follow

Baking is largely both a science, and bullshit. Anything from the altitude you’re at, or the mosture in the air, or the way you’re measuring ingredients (ie weight vs volume) can effect how your final result of what you’re making will come out. A few examples just in my grandmother’s Apple Pie recipe are

  • Her recipe calls for Crisco in the crust, but Crisco changed their formula in 2007, effecting the taste and texture of the crusts made, so adjustments have to be made to account for that
  • The Apple tree in her backyard is gone, and no apples sold commonly in stores are similar to whatever random variety she had, and there are over 7,500 known varieties of apples
  • Not all flour that you buy from the store is the same, and I’m not just even talking about like. Cake flour vs wheat flour. Even in the US the kind of regular baking flour differs depending on where you live, and where it’s sourced from

So will I ever make that Apple pie I remember fondly from my childhood? Probably not! Just gotta figure out my own thing that works.


I dunno why I made this post at 6am. Just shit to keep in mind next time you’re struggling with an older recipe I guess!

dontcallmebugaboo

Needed to see this. Thank you :)

neil-gaiman
trekwiz

Ok, but if you’re an independent contractor in the US and this happens? Find a lawyer, because you might have just gotten a huge payday.

Your position was just referred to as employment. Independent contractors do not have employers; they do not have employment. Congrats, your contact at this company just provided evidence that you were illegally missclassified.

This contact is claiming that you have set hours you’re obligated to fulfill. Unless a work task can only be done at a set time for practical reasons (i.e. you’re an audio freelancer paid to support a live event that occurs at a particular time and requires a certain amount of pre-show setup), a company cannot set an independent contractor’s work hours. This is further evidence that you were missclassified.

The whole exchange establishes that the company is interpreting an employer-employee relationship rather than expecting a service. Discipline and potential for firing (you cannot fire an independent contractor; no longer purchasing their service is not equivalent) establish that this person views themselves as a manager. Independent contractors cannot have managers.

This one text exchange could:

  • Get you back pay for the full duration you’ve worked there, to bring you up to the compensation that an employee would have gotten
  • Get you back compensation for lost benefits that an employee would have gotten
  • Get you back pay for the additional self-employment taxes the company should have covered
  • Get the company to pay back taxes to the government
  • Get the company to hire everyone who performed a similar role, or face further penalties and fines
  • A win would encourage the rest of their missclassified workers to sue for the same, or give them leverage to demand a better deal

If the company is going to screw you over like that, may as well make them pay for it.

trekwiz

Since this is getting a lot of reblogs, here’s a federal source that can help you determine if you’re illegally classified as a contractor:

You can also file a form with the IRS to force the company to correct your classification (assuming you meet the criteria), without necessarily having to sue:

Keep in mind that this is just federal. Most states also prohibit missclassification as an independent contractor; and even if states have more lenient rules, companies still have to comply with this federal law. The rules have largely been bipartisan and existed for decades, so they’re common.

States also have an interest in having regulations about missclassification: it’s a significant loss of tax revenue. Your self employment tax does not fully equal what a company would have paid for you in payroll taxes.

A lawyer can help point you in the right direction if a company is currently missclassifying you.

antique-scarecrow

Fantastic addition

jabberwockypie
glossyfeathers

While the CDC has given up on providing any guidance on risk control measures for covid, The People's CDC is filling the gap and continuing to track and update guidance as the situation evolves. Here's where you can download their Safer In-person Gatherings Toolkit:

Here's an extremely detailed guide on what to do if you have covid that includes how long to isolate for, how to set up your house with hepa filters and ventilation, what supplies to have on hand, when to go to the hospital, and guidelines on how to pace from the MEAction Network in the event you end up with long covid:

The work these guys are doing is amazing. They're still tracking wastewater data too so you can still figure out transmission levels in your area and not just the hospitalization levels. Check them out!

amemait
handern

what I really like about Pratchett's work among all the other things, is that he basically opens all his books with exposure and "here is an immuable, very eternal law upon which the world is built" and then he spends the rest of the book trampling on that law

"it is impossible for a woman to be a wizard, so we're going to follow this wizard girl's journey"

"dragons are gone forever and dormant, here be no dragons. say hi to this one lady dragon tho"

"nobody can resist elves. that's why Magrat is going to deck their queen in the face"

"everyone knows women can't fight"

"everyone knows golems don't have souls. they all have names and personalities and-"

"all dwarves are men. then they were introduced to gender"

"Death is eternal and unchanging. Let's see what happens when he goes through all major human development stages in reverse starting with his retirement"

All in all "here's this thing everyone knows is true, here's why it's bullshit, here's how untrue it is, and here's how nobody is going to learn a lesson from being shown that this law of nature is bullshit. We all know people never learn right. or do they"

neil-gaiman

And he mostly wrote those openings last of all. He'd write the book to find out what it was about and then wrote the openings when he was done with the first draft.

amemait
thebibliosphere

One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.

Trust me, it was my job in the publishing house to make them fit that mold. I hated it.

Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.

It's lacking for me as a romance.

Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.

There's so much emphasis on the polycule and never the individual dyads within the larger relationship.

For example, in a triad, there are actually four relationships to handle.

The dyad between A + B.
The dyad between A + C.
The dyad between B + C.
And the overarching relationship between A + B + C.

With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.

And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.

But it doesn't always land for me as someone who wants to see my style of love represented in the genre.

In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.

And that's a good thing!

Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.

Polyamory isn't striving for equality between partners but rather equity.

What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?

It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.

The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.

The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."

Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.

Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.

The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?

Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?

Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.

I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...

Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.